Writing

Our Funeral, Dirt
Ranch - Hobart Pulp
Lonely Crowds (excerpt), Forever Magazine
Anna Thérèse Witenberg’s Choreography of Love & Envy
Janiva Ellis’s New Paintings Ask Us to Look Again
Nobody Knows My Name: On Maya Binyam’s “Hangman,” Claire Denis’ “White Material,” and African Fictions
Foreword to Christopher Currence’s reappraisal